We began our day’s travels along US-18, an enjoyable route
because it took us through the Main Streets and rural areas of Middle America. We crossed the Mighty Mississippi River in a
blanket of fog that dissipated once we landed in Wisconsin.
We arrived at Tom’s Campground in Dodgeville,
Wisconsin. It sits on a parcel of land
that was homesteaded 100+ years ago by Halvor Knutson, whose stone cabin along
the stream still stands. Knutson’s
relatives, the Thomas Family, are the current owners of the land, and three
generations of their family still reside in the area. The area is beautiful, with rolling hills and
views of the family farm in the distance.
Our site was an extra-large pull-through with full hook-ups, picnic
table, fire ring, and free Wi-Fi for $45/night.
We had crisp temperatures and overcast skies during most of our stay,
and we witnessed some early stages of fall foliage.
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| The old stone cabin from the homestead. |
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| The Thomas family farm can be seen nestled in the distant hills. |
Although we awoke the next morning to a wet, gloomy day, the weather wasn’t
going to dampen our spirits as we toured Taliesin in Spring Green, Wisconsin to
learn more about this UNESCO World Heritage Site and about Frank Lloyd Wright--the
man, the architect, the legend.
As a lad, Wright’s mother saw his potential to build great
things, and she groomed him for architecture.
She decorated his room with engravings of architectural works and
purchased him Froebel Gifts, which were geometrically shaped blocks. At age 19, he left the University of
Wisconsin without obtaining any degree.
Instead, he went to Chicago, Illinois, and began his career as a
draftsman. He came under the mentorship
of architect Louis Sullivan (of Adler & Sullivan), and by age 25,
Wright became the head of Residential Design.
In time, however, Wright was fired for his “side hustle” of taking on commissioned
jobs to assist with his personal finances.
By 1893, he left Adler & Sullivan, and ventured out on his own,
going on to revolutionize American architecture.
What makes Taliesin such a special structure? It is the home and studio designed/built by Frank Lloyd
Wright FOR Wright—and the love of his life. Get ready for some scandal, folks. You see, although married to Catherine Tobin
from 1889 to 1922, Frank fell madly in love with Mary Bouton “Mamah” Borthwick,
the wife of his client, Edwin Cheney, when designing a home for the Cheneys in
the early 1900s. In 1909, Mamah and
Frank went off to Europe together, abandoning their spouses and children (Wright
had 6, Mamah had 2) in the name of true love. When Wright returned to the U.S.A. a year
later, Catherine Tobin thought his “fling” with Mamah was over. Instead, Wright filed for divorce from his
spouse (as did Mamah while staying behind a month in Europe).
Perceived as social outcasts, Frank felt he/Mamah could not
return to Chicago. So, Wright returned
to his ancestral roots (his grandparents emigrated to Wisconsin from Wales),
where the Driftless Hills of Spring Green reminded Wright of the Welsh
countryside. He obtained money
from his mother to purchase the initial 37 acres and build the 30,000+ square
foot “Taliesin”, whose name is another nod to his heritage (“Taliesin means
“shining brow” in Welsh).
But Wright and Mamah’s affair within the “Love Castle on the
Hill” would be short lived. In 1914,
while Wright was away on business, a member of Taliesin’s staff became a mass
murderer—knifing to death Mamah, her two children, and several fellow employees
BEFORE setting fire to the home.
Wright rebuilt the home—and his personal life. After a short-lived marriage to Miriam Noel,
a morphine addict whom he divorced, he married Olgivanna Lazovic, 30 years his
junior, in 1928. They had one child
together, and he legally adopted Olgivanna's daughter from a prior relationship. Frank and Olgivanna remained committed to one
another until the death of Frank on April 9, 1959, caused them to part.
Frank was always bad at managing his finances. In fact, some of his students quipped that
Frank considered a bill/invoice a “souvenir.”
He was often referred to as “Slow Pay Frank”. Therefore, it was no surprise to learn Frank
had to sell a major portion of the acreage he had acquired over the years (his
property once totaled 2500 acres), leaving only the 600 acres we see
today. Additionally, he had to sell some
of his prized Asian art in order to keep Taliesin.
But as Mom always says, we must accept people for the good AND
the bad. And Frank’s talents and vision
certainly exuded good. Furthermore, he
was a spiritual man. He believed that
God was Nature and that Earth was a living laboratory. His family motto was “truth against the
world”. It is said that from age 20 to
age 72, he designed a new structure every month! Wright’s design for Taliesin infused nature,
music, and his Asian passions. He added
sand from the nearby Wisconsin River to the plaster to get a “natural” wall
color. Taliesin has a wonderful view of
water from most rooms, which Wright achieved by damming a creek. The property consists of a residential wing, an agricultural wing, and
an architectural studio wing, where students would reside and work (in fact,
an architecture student from 1952 still resides/works on the premises, and she
is now 101 years old!). Interestingly, Wright was the inspiration for author Ayn Rand's character, Howard Roark, in the book "The Fountainhead".
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| You can see how Wright built on the "brow" of a hill. |
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| The agricultural wing... |
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| ...transitions to the residential wing. |
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| This Buddha was saved from the pre-fire design and incorporated into an interior stone wall. Wright considered Buddhas blossoms to the soul. |
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| The view of the falls from the home, created by damming the creek. |
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| Another view of the grounds highlights a stone garden wall shaped like a musical note. |
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| The table at which Wright met client Solomon R. Guggenheim in 1945 to discuss designing his New York City museum... |
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...and Wright's shell collection in that room that may have inspired a concept for the design.
| |
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| Wright designed every structure on the property, including this barn... |
...and this windmill, which he entitled "Romeo and Juliet".
 | | Wright's architectural studio. |
 | | Rather than cut down this tree, Wright made it part of the studio building design. |
|
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| Interior photos... |
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| ...of the studio building. |
As wonderful as our Taliesin tour was, our tour the next day of Wright-designed Monona Terrace Community and Convention Center in Madison, Wisconsin was a disaster. Trying to navigate the road
congestion and road closures in Madison was a nightmare. When we finally arrived at the Center, we
found total chaos! There were literally
thousands of people AND bicycles in the halls, convention rooms,
elevators, and staircases: Ironman was in progress! Though our tour guide Gretchen was a
sweetheart, you could barely hear her speak above the cacophony. Maneuvering our group around the Ironman
participants, sponsors, and vendor booths was a challenge. Most importantly, our ability to take photos was
impossible. Good thing the tour cost
only $5/person, because it was a total waste of my time and cheddar, and it
should not have been offered during Ironman.
Furthermore, Wright designed the Center in 1938, and it included a jail
and City Hall. However, it took 50+
years to get approval from the City Fathers to construct it (talk about bureaucratic red tape and hurdles to overcome)! By the time it opened in 1997, a City Hall
and a jail were already built and Wright was deceased. So, the exterior may be mostly Wright’s
design (they had to shorten its height to not exceed that of the nearby
State Capitol building), but the interior was revamped considerably, and the
project was overseen by one of Wright’s students.
Thankfully, our subsequent tour that day of the Wright-designed First Unitarian Society building in Madison was a
winner. Designed by Wright in 1947,
construction was completed in 1951.
Wright and his extended family were all members of this Unitarian
Universalist Congregation, which has no religious dogma. Their only belief is that all can learn from
others. Wright took money for the
Usonian design, but he donated his time for free lectures and “volunteered” his
students to do some labor. Wright’s
original cost estimated was $65,000-$70,000; however, it totaled $212,000 to
complete, with congregants hauling the stone from a local quarry themselves to
save on costs.
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| The exterior design angle resembles praying hands. |
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| Transitional hallway from sanctuary area. |
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| Originally, Wright designed this part of the structure as the Parsons' residence,... |
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...but it is used currently as a community room.
 | Original Wright-designed pew and cushions.
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 | | This wing is not part of Wright's original design,... |
|
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| ...but it makes a seamless transition with its LEED-certified (Leadership in Energy and Environmental Design) components. |
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| Notice the use of Wright's signature "Cherokee Red" hue. |
We completed our final study of Wright by visiting a few
other properties in the area. It had been a great learning experience.
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| The homestead of Wright's grandparents is not far from Taliesin. |
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| Unity Chapel Cemetery in Spring Green, Wisconsin is where Wright's ancestors, his mistress/lover Mamah Borthwick, and his grandaughter, actress Anne Baxter, are buried. Wright was buried here initially, but his remains were exhumed, cremated, and scattered with Olgivanna's somewhere on the grounds of Taliesin West in Scotsdale, Arizona. |
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| Wyoming School, designed by Wright in 1957 in Wyoming, Wisconsin. |
But
our fun in Wisconsin was not over! I’ll
tell you about our other stops in my next post.
